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Colors: Orange Color

Exclusive and unique, Samad’s Nirvana collection elevates the aesthetics of machine-made rugs to heights nearing that of some hand-knotted. Rug Insider finds out more.

Giving the impression of folded and pleated fabric, perhaps drapery, or even the curtain which demarks the end of a spectacular performance, the soft and elegant design of Plissé embodies a further playfully graphic nod to the world of scenography. Paired with the delicate movement of the design’s drawing which reveals hints of pure silk in the faux lining of the layered fabrics, the resulting composition evokes the trompe l’oeil spirit of Roberta di Camerino’s now iconic designs from the 1950s.

Leveraging technology to reduce waste.

The use of rug samples has become a staple of rug and carpet showrooms the world over. They’re consumer friendly but horribly inefficient in terms of resource use. They also produce excessive waste, all the while making no-one money. “The Showroom of the Future” offers one possible solution.

Contemporary. In the context of decorative rugs and carpets what does the word even mean? Does it reference a genre? Or does it mean anything made today, in this era? Left intentionally vague as to elicit a diverse response, one savvy contributor queried to clarify: “Do contemporary designs ever ‘ grow up’ and become traditional?”

In the context of rugs and carpets we tend to equate the term traditional with designs originating from Persia. Most everything else seems to be modern or contemporary. Then again everything is modern in its time. Factor in classic motifs not originating in rugs such as the greek key, and while certainly traditional, they are often used in modern ways, transitioning—if you will—betwixt two loosely-defined styles that give rise to yet a third term of the trifecta of rug design, the catch-all “transitional.”

Diverse influences define  “Luxury Lodge”

Conceived at the forefront of the Luxury Lodge aesthetic, the Mesa Collection from New Moon Rugs serves as a quintessential example of adapting native forms to suit to the needs of contemporary interiors. As the collection enters its third decade, Rug Insider talks with firm founder John Kurtz and current firm principal Erika Kurtz to find out what has kept the collection at the ever-shifting vanguard.

Handwoven Textiles Made in Maine

Luddites were weavers who rightly feared industrialization would take their jobs, arguing not against the societal advances, but the loss of their livelihoods. It’s a prescient understanding of the effects of industrialization on production, without accounting for the benefits which later come. In a world wherein so much is mass produced, it seems the appreciation of handwork is on the rebound.

Treading softly between the ‘80s and the ‘20s

The hand-knotted rug and carpet trade is no stranger to the phrase “One of a Kind,” nor is it an industry short on personalities aptly described by the term. A new house collection debuting at Oscar Isberian Rugs in Chicago, Illinois, merges discrete and distinct personalities and a design aesthetic spanning literal decades; Rug Insider has the first look at this era-spanning one-of-a-kind collection.

Transplanted Techniques Define the Modern Era

In the Fall 2017 issue of Rug Insider we explored traditional Iranian felt making at the hands of Peace Industries in the article Revivalist Modern, pages 39-41. But seeing as no one country or region holds a monopoly on the technique it is such that we now explore traditional Turkish felt making, made modern and transplanted as it has been to Massachusetts. This is the story of The Ram and The Worm.

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